katebacross

Standard disclaimer: I am not involved in any of this. Discussions of protest tactics are purely speculative; this is not legal advice, and if you commit an actual crime, don't post about it.
 
Courtesy of a friend who may identify themselves if they choose (thank you!) I read this article in Mother Jones about the No Sleep For ICE movement and can't help constrasting it with the #NoKings protest. Not that I'd want to disparage the latter—I think it's awesome that people did it!—but the former is an example of the kinds of tactics that we increasingly need to see.

I have a number of issues with protest marches, especially in North America. We on the left tend towards reification of historical protest movements without ever analyzing what made them effective (or not). A good example locally is the Days of Action, a series of rolling one-day strikes against the extremist right-wing government of Mike Harris in 1996. These were a resounding failure. Mike Harris and his regime steamrolled over the labour movement in Ontario, which never recovered, and despite being directly responsible for a number of deaths, continues to enrich himself by running gulags for seniors. However, these protests were loud, colourful, and most importantly, made people feel like they were Doing Something. Again—it's important to make people feel like they are Doing Something, that is how movements get built. But when a new far-right regime was elected in Ontario, the entire strategy of the labour movement pivoted to re-enact a protest movement that had been an abject failure, and so we lost again, repeatedly and even harder. 

I had the same issue with Occupy, where what had been a successful tactic in Egypt and New York was exported around the world, without regard to local conditions. It resulted in one baffling morning spent wandering the Toronto encampment, where a lone speaker used the People's Mic to communicate with five comrades. The aesthetics of protest triumphed over the old-fashioned idea that protest ought to accomplish something.

Now we are seeing LARPing of the kind of mass demos that have been happening since the 1960s, most of them failures, as the authorities are quite competent in curtailing this kind of activism, either by assassinating political opponents, kettling demonstrators, or conducting mass surveillance to be used in future disappearances. The great success of #NoKings is the theoretical embarrassment for Trump of seeing his own sad, empty birthday parade dwarfed by crowds in nearly every American city and town. To be clear—this is a success, as Trump cares a great deal about crowd numbers. But this is a regime immune to reality and shame, and entirely capable of generating AI slop to convince the death cult members that what they saw with their own eyes wasn't true.

Which is to say: It's good, it's useful, but now the tactics need to change.

To contrast, No Sleep is very targeted in its strategy and goals. Let's be clear: Every employee of ICE is a human trafficker. They should not be allowed to return to their homes and communities after a day's work, because that day's work is Nazi shit. Targeting them where they live and sleep is critical. It reminds us that these are not normal people who are doing a job, but instruments of a police state who are conducting activities that are unreservedly evil and socially unacceptable. It is a reminder both to them and anyone who cooperates with the Trump regime that, in fact, "just following orders" is famously not a defence at the Hague. Most importantly, though, it introduces friction between the regime's aims and its outcomes, rendering it less effective in kidnapping and disappearing people.

I think we are all thinking: "I am exhausted. I can't fight everything all at once. Where are my energies best spent?" At least, I'm thinking that. This is deliberate; this is flooding the zone, making the laundry list of bad things come so fast and furious that opponents don't have time to recover from one fight before we're thrown into another. It's very tempting to get enmeshed in weekend street demos—for one thing, for those of us who work, they can be done on the weekend—but I would encourage everyone to participate in them with an eye to what they're useful for and what they're not useful for. Remember that surveillance will be gathered on you no matter how careful you are. If you or your comrades get arrested, movement resources will need to be directed towards your defence (and you will be dragged through hell because even if you did nothing wrong, the point of charges is to destroy your employment, finances, and relationships). Stay on the lookout for smaller, more agile actions that can add friction, rather than big showy events. Don't get caught up in violence vs. nonviolence discourse, or crowd numbers.

The answer to "where are my energies best spent" is always, "whatever you can do," which for me tends to be above-ground, legal actions on the weekends. This has different significance locally because our supposedly socialist mayor who used to go to protests passed a protest ban, so imo all protest energies in Toronto ought to at least focus a little on breaking this ban so that we can all get our Charter rights back. But this may not be the conditions where you are.

Also stop using the Hey Ho chant. It reminds me of Snow White and the Seven Dwarves but instead of marching over a log, they're walking headfirst into a police baton.

Just finished: Dakwäkãda Warriors by Cole Pauls, I don't have tons to say about this comic—it'll take you maybe an hour to read if that, and it's really cute and fun, and then you read the context around it and it's quite moving and beautiful as well. It's basically a language revitalization project wrapped up in a pew-pew-pew space opera story. It's cool that this exists and I want there to be more of it.

Withered by A.G.A. Wilmot. Listen, cozy horror and other cozy authors! I will make you a deal. You get one (1) scene where the asexual protagonist comes out to their appropriately diverse love interest and they talk about their sexuality and consent in a mature, healthy way, infused with Tumblr therapyspeak, and agree to just hold hands or whatever. In exchange, I want y'all to try excise or subvert toxic tropes like having your main human antagonist being a woman who is haunted by a ghost no one else can see and locked up in a mental institution for 25 years, who has no agency at all, and who at the end realizes the error of her ways and is...cut loose to just be homeless and wander forever, I guess????

Like, aesthetically, I hate cozy. I fucking hate it. I try really hard to not judge the taste of people who like it, because intellectually I get the appeal and there's nothing wrong with liking what you like, but it's very much not for me. And when I have to read and rate a cozy book, I try to keep the ideal reader in mind, not me, a grim and cynical person who likes messy characters and tension in my storytelling. I think there are some cozy, or cozy-adjacent books that are done well (Regency and Regency+magic does low-stakes, mostly good characters in ways that I enjoy, for example) and I don't want to judge the entire subgenre either.

But I do think that there's a tendency for specifically cozy fiction to use didactic storytelling (casts include one of everyone and/or a lot of twofer characters, but these identities tend to be very shallowly written except for where they reflect the author's, conflicts are easily resolved by talking things out, good behaviour is rewarded and bad behaviour is punished or reformed, discussions about emotion or sexuality are always direct and never in conflict). So if you are going to write a book that includes, for example, instructions for the reader on how to navigate a relationship with an ace person, or how to approach therapy for a mental illness, I'm going to also need you to examine your work for unintentional messaging in a way that I wouldn't necessarily do if you're writing, say, Gothic horror where the protagonist can't decide whether she wants the vampire to eat her or fuck her. 

Which is to say that in a world where we get to see multiple Zoom therapy sessions, I do not buy that a mental institution merely drugs a character and does not attempt to help her heal at all. I think that sets up a dichotomy between Good Mental Illness (you know, the kind that makes you pretty and kinda tragic) and Bad Mental Illness (where you get your mess all over other people/try to burn down the family house) that is not good or wholesome at all.

Also, the climactic battle at the end was a huge WTF.

If you, like me, would like to join in on Cozy Horror Discourse multiple years after it was live, here are some links I appreciated:

The Material Basis of Cozy Horror by Moreau Vazh
In Praise of Discomfort by Simon O'Neill

Currently reading: Service Model by Adrian Tchaikovsky. This one starts with a robot valet murdering his master and not knowing why he did it, so, promising beginning. Humanity increasingly relies on robots to do everything, and as a result, is dying out. Charles, the valet in question, doesn't know what to do without explicit orders, and so he reports to Diagnostics, only to find that robot repairs are backed up due to funding cuts that have eliminated the entire human staff. Also he may have developed a Protagonist Virus that gives him agency and self-awareness, which he very much doesn't want.

The voice in this is great—the first two chapters are basically the robots navigating their way through the murder without being able to deviate from their programming, and it's bitingly satirical and very funny. I'm rather enjoying this.

 I dunno, what do you guys want me to rant about? The Freedom Flotilla? LA vs. ICE? The fact that my government is planning more pipelines while sending in the army to deal with out-of-control wildfires? Or, closer to home, Bill 5 or the Toronto bubble zone law, or...?

This is why people curl up and retreat into fiction.

Just finished: real ones, Katherena Vermette. This one ruled. I don't have a lot to add to what I said last week except that I really enjoyed it. If you want a good pairing (or you're not super familiar with the context of the Canadian arts scene), Jesse Wente's Unreconciled provides a great non-fiction one. But yeah, I loved the characters, I loved the poetic, Impressionist writing style, it was emotionally affecting without high stakes or pacing, which is something that genre writers could learn a lot from (more on that later). Vermette seems to be putting out great books with impressive frequency but this is the one I've enjoyed most so far.

The Siege of Burning Grass by Premee Mohamed. This one was imperfect and ambitious, but I'll take that over boring any day. It's a master class in how to do some interesting worldbuilding; there's a lot going on in the background, and you get it only as a sketch. Oh yeah, there are lizard guns. Why are the guns lizards? Eh, don't worry about it, keep up. It's pretty New Weird in the tradition of Miéville and Tchaikovsky (positive) so I liked that quite a bit.

I have two big critiques, one big and one small. First, the small. This is critically acclaimed, nominated for a bunch of awards, and put out by a real press. And yet. And yet. Alefret, the main character, has one leg. This is clearly established in the opening line. His leg is slowly growing back thanks to an experimental serum that's delivered via wasp sting (again, cool) but it's slow and he's on crutches for the entire book, something that is done very well and really gives a good sense of the character's physicality. And then there is a scene where he is having dinner with two elderly sisters who have a cat. Under the table, the cat brushes up against his ankles and he holds his legs very still. WTF? Which editor let that through?

My bigger complaint is that I don't think she quite lands the ending. As I've said, it's ambitious, a story about whether pacifism can survive a horrific war.
( spoilers )

Cottagers and Indians by Drew Hayden Taylor. This is a one-act play based on the true story of Anishinaabe people trying to re-seed lakes with wild rice, over the objection of white cottagers. And it's amazing, obviously. Everything he writes is great and this is particularly affecting. It's a dance between two difficult, complicated characters, and while the white cottager character could easily be a hideous caricature, Hayden Taylor is too much of a humanist to take the easy road out. There's also a great afterword by Leanne Betasamosake Simpson, because of course there is.

Currently reading: Dakwäkãda Warriors by Cole Pauls. This is a bilingual (!!!) Indigenous futurist comic about two defenders of the earth, beautifully illustrated in a Formline style. If you want to learn Tahltan, I can't think of a cuter way. There's a lot of pew pew pew and it's very fun.